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Ted Greene -- Chord Chemistry, by Ted Greene
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Ted Greene's Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.
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Product details
Paperback: 112 pages
Publisher: Alfred Music; 41523rd edition (March 1, 1985)
Language: English
ISBN-10: 0898986966
ISBN-13: 978-0898986969
Product Dimensions:
9.5 x 0.5 x 12.2 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
172 customer reviews
Amazon Best Sellers Rank:
#19,905 in Books (See Top 100 in Books)
When I got this in the 70s' it elevated my musical knowledge to a high level. It's not your typical music book but you can get so much out of it if you really give it a try. This book is an awesome piece of work by the author meant to be with you to check in on and open any page and come away having learned something.So glad I was able to get anew copy.
I’ve been playing informally for about 10 years now (no bands, very few gigs, sit-ins here and there, mostly personal enjoyment) so I’m not a “serious†player by any stretch of the imagination. However I have a decent understanding of the basics and this guide is the perfect fit for me. Very clear explanations and diagrams and an absolute powerhouse of information. Very excited to see where my playing goes as I’m working through it - it’s given me the push I needed to really grow in skill set and enjoyment.
For me it would have been greatly improved If what seem to be handwritten chord charts were more legible and at least 50% larger for my eyes. (Normal Eyes ) I also found the language in some portion of the book a bit on the abstruse/obstruse and dense side for me. Still I love the title and look of the book which still holds me hopeful and willing to struggle with its imperfections. I would not however recommend it to those who do not have a very sure footing with their theory, or beginners who can be discourage by the sense of insurmountable challenge.
There is a reason that this book has been reprinted; the information and the step by step process is great. I haven't gotten all the way through it yet, but I understand how things fit together in a way that I didn't before. I would highly recommend this book to anyone that really wants to understand how chords work and how to use alternatives to for each chord progression.
Not much to add to the myriad of comments, except maybe don't go cover to cover like I did. It was like drinking from a fire hose. It's a great chord reference book!
Excellent book! It will take a lot of time to get all of this stuff under your fingers but it has helped me already with understanding the fret board better and how chords work, in addition I have learned a lot of cool chords I can use when composing stuff. The possibilities are endless! Lots of chord progressions. Just pick out the stuff that fits your needs. Some of the chords are impossible to play (for me anyway) due to the large stretches involved.
The first and last chord theory book you will ever need. If you're a serious musician you owe it to yourself to have this reference and teaching book in your collection.
This book is a absolute goldmine of beautiful chord voicing melodies presented in short examples of I-vi-ii-V sequences and many permutations that cover extensive harmonic ground and copious use of substitution. Studying this book in earnest will give a jazz guitar a totally comprehensive vocabulary of voicing and chord melody movements for playing jazz guitar, whether it be solo or with a bassist. Voicings used go from basic to highly colorful, including extensive study of quartal voicings, cluster voicings, rootless and root voicings, and more. What makes it special is that the material is presented in a highly musical manner of beautiful example after example, painstakingly written out by hand without losing sight of making each example a small piece of beautiful music. A guitarist could study this book for a lifetime. If anything, it can be overwhelming.This is a major contribution from the legacy of the one and only Ted Greene.
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